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#1 |
Razor-thin derision
Join Date: Jan 2013
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Co
Last edited by Vulgar; 12-07-2021 at 08:16 PM. |
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#2 |
Senior Member
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This is quite different from you "usual" submission, I write usual with respect and it is only apparent because you have a distinctive style not for any other reason. Enjoyed the greater emphasis on a thread or flow of thoughts, kind of creating a loose story at the end there. The dialogue parts were highlights, and the setting really meshed well with your eclectic vocabulary. Would greatly enjoy to read more things from you about aliens and sci-fiction.
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#3 |
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Join Date: Aug 2013
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'veils collide in acidic dust' was an A+ section. i think this was more approachable than your usual verses, and the scheming was really fire... it shows how much youve mastered your craft, but that doesnt mean being struck in a groove. versatility.
Intel prescribes we defend the just if skin cells survive in the winter slush they'll re-engine life, as thin veils collide in acidic dust Antimatter bombs put "mountains in the sky" more than Plymouth was The End of Us... "Pass the scalpel and the tendon brush, this specimen is venomous" Official morgue dental records don't truly present results since he had enlarged molars, and a ventilation latch Up through his gums sat wisdom teeth, and generation gaps das it mane
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#4 |
Razor-thin derision
Join Date: Jan 2013
Posts: 4,422
Battle Record: 40-25
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Thanks both. Returnin' favors.
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#5 |
Razor-thin derision
Join Date: Jan 2013
Posts: 4,422
Battle Record: 40-25
Accomplishments - OM HOF
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#6 |
The Clown Prince
Join Date: Apr 2013
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This is the dead poets society...
nice work my dude this is a really interesting piece I must say I enjoy this alternate side to you. has a certain stride a different pep to its step sadly I may haveissed this battle but I'm sure you did quite well mind is foggy at the moment regardless its always a pleasure
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#7 | ||||
Steel Cut
Join Date: May 2013
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I feel bad because I always read your verses, but rarely do I drop feed. it's not because I don't enjoy your work, but more so because they are so open to dissection and exploration that my own tendency to delve intimidates me. weird, I know. in any case.
this was dope. To me this was a biopsy by way of a landscape sketch; not so much an inquiry or analysis so much as it was a description. I like that approach - it relieves you the burden of feigning authority, which is important to me when dealing with such grandiose subject matter. it's not easy to do, or do well at least, but this was a great example of walking that tightrope of observation over dictation. lead us to the water instead of waterboarding us. first stanza is rife with images. I liked the early Solomon homage, he was always my favorite Biblical king. His story seems like a synecdoche for our overall human fate; we're too smart and too weak for our own good. it was an intriguing contrast with seppuku. to take death as more honorable than carrying on, in the same vein of Solomon's shame to repent from what he knew was wrong. our stubbornness is a hell of an enemy. next great visual for me was the auctioning off of one of the four horsemen of the apocalypse to go buy fairy-tale, fleeting pleasures. reminded me of this essay. it's so easy to shove death in a corner while we collectively look at the shiny gleam of our mirrors. so far, this stanza strikes me as a surveyal of what's wrong with the world through loosely connected images. But then you hit us with: Quote:
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definitely negligence. the seeds of our undoing are far too unsightly to bother with, even when they're in plain view. if I can pick a nit here is that the culprits tend to be the usual suspects of selfishness, thoughtlessness, capitalism and its chemtrails of manipulation(re: planet of the take line). blame valid, nonetheless. second stanza, in general, takes a bit more of a lighthearted lens for its moral photography. yay simple lifeforms! you guys have paid your dues long enough. while I loved the dead poets reference, I think this stanza was a bit of a dropoff from the first, if only for the range of its meanderings. a little too thin for my likings. third stanza hits a stride conceptually with the fatalist nod that understanding our past is really insignificant because we're hurdling inexorably to such a predictable end. again, felt like the source being industrialization and sophistication was a bit of a cop-out (though "simian scars" was a dope line, I must admit). Quote:
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I dug this a lot. to beat the dead horse, I would have preferred to see a bit more of an internal conflict as the driving force behind these observations, make it more raw and personal, more real. capitalism/progress/technology etc are too obvious for your talent to wander over. there were flirty exchanges with more penetrative analysis, but they were brief. I'd like to see that angle from you. ultimately, a vulgar verse can always be appreciated for its originality. you'd suck in an alias topical tourney, because nobody writes remotely similar to you. that's impressive for a niche genre that's defined by its literary constraints (you MUST rhyme!). keep doing you, it's always a pleasure.
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