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Old 05-07-2015, 09:05 AM   #4
Split Eight
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Quote:
Originally Posted by Pharaohs Army View Post
I think my biggest problem is that some lines require connectivity with the words, while others, in a sort of opposite manner, require separation/enunciation.
I don't think that problem is solvable on a page but I'm open to suggestions.
that's very astute.

honestly, this problem that you've run into represents a really crucial conflict in this type of writing.

in the scenario above you have a few options-

1) Make the rhyme happen, accepting that it doesn't flow quite right.

I think more often than not, writers choose this option under the assumption that readers will "see what they're going for" and understand it was a difficult rhyme.

However, the main problems with this choice are:
- since the phrasing of one half of the rhymed couplet has to be altered to feel that "rhyme effect", there is a huge disconnect when you read the verse. Everyone will initially read through verses naturally, as dictated by punctuation (you understand this, showing your changing of the placement of that comma). When they stumble over something or there is a weird part of the flow, they'll go back, making sure that they were reading correctly. If they were, and your wording doesn't quite work, it frankly comes across as sloppy and amateurish

-by forcing the flow, you're drawing attention away from the content.

2. look for an alternate rhyme that isn't forced
-this is not always possible.

3. ditch the line
-what if that line is important?

4. Reword your line to say the same thing, but to have a simpler rhyme
-this is super crucial. A lot of new writers (not lumping you in with them) believe there is only one way to say something they want to say. This isn't true, though when you change what you've written you DO always change the meaning slightly

- an important idea to consider is that you can change some lines completely, and perhaps you lose a concept or a wordplay in the process- but you can still introduce them at a different part in the verse.

-when you simply can't seem to word a line to both rhyme & make sense smoothly, the problem isn't with your writing ability. You just need to focus on the actual construction of the verse. Rearrange those lines, concepts, wording- keep track of both what you want to say and how what you're saying changes by switching *one* word, or by swapping the order of two concepts. Lose your attachment to your writing, and accept that sometimes you have to scrap really good ideas or lines if you want to write a good verse

What I do is dump all the concepts that I wanted to keep, but couldn't make work, into a Notepad file. Sometimes I scroll through and grab things as I need them.
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Quote:
Originally Posted by PancakeBrah View Post
I'm going to start off on a tangent.

when I write, lately, I feel as if I begin by stringing together ambient ideas and concepts, then i realize I'm just typing the words coffee, tawdry, and autumn over and over and over, again, then I pass out dru-
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