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#9 | ||||||
Mad fucking dangerous.
Join Date: Jul 2013
Posts: 12,066
Battle Record: 40-19
Champed - AOWL Season 3
- Art of Writing League (2x)
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"B.I.B.L.E." was a Killah Priest song that was placed as a bonus track on Liquid Swords. It's a good track that does not fit sonically or lyrically with the rest of the album. Here are a few that come to mind off the top of my head:
"6 in the Morning" by Ice-T was the first openly violent gangster rap ever and clocks in at more than 7 minutes long despite telling a mostly continuous story. "Celly" by Extended F@mm has all four members of the group telling a story via cell phone, except the reception keeps dropping. "One Mic" by Nas features a level of dynamism rare in rap, with clear cut crescendo and decrescendo. "One for the Griot" by J-Live tells a story with three alternate endings. And the story is told with precision and humor. "Jackin' for Beats" by Ice Cube gave us the first example of a rapper taking popular beats and rapping over them and switching up every so often. "The C-Quel" by Canibus is probably the only track that overlaps two different rapping vocals — and it mostly pulls it off. And I'll nominate two full albums, both produced by Prince Paul: De La Soul's De La Soul Is Dead and Prince Paul's A Prince Among Thieves.
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I'm just swinging swords strictly based on keyboards, unbalanced like elephants and ants on seesaws. Last edited by Certain; 12-14-2015 at 10:35 AM. |
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