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#1 |
heard it all before
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![]() ![]() Dearest Lynnette, Times been ticking away in the busiest way. It's been 62 days since I convinced you to stay. Ridiculous, babe. I found work on the Dock unloading the Ships. The only perks of the job are feeling broken and shit. I'm almost certain the mob are controlling the lists but they pay, so you're a joke if you quit. I take the loot instead. There's a lot of violence too from the Irish crew when they lose a bet. I try to steer clear of the guys that shoot a debt. ----------- New York is massive! I'm such a dork in traffic which probably makes sense to you, knowing how I tend to move. I've mentioned you to a friend or two. I guess I find it helpful to. It's all hustle and bustle in expensive suits. Huge crowds that cruise town. I jump on a bus when it's too loud. I listen to the machine's smooth sound to cool down from a mood swing. My apartment is too big. It's dark with a new fridge. I think there's a compartment for tool-kits. Honestly, I haven't really started to move in because I left my heart there with you, Lynn. ----------- The City's alive. It's a gift to describe. She's both tough and romantic. A hub for the frantic. Full of love yet pedantic. Seen through rose-tinted glasses it's still broken and half lit by the color of ash. Stubborn and brash. Mysterious of shape and thought. Yet serious, you can't shake it off. Irate and soft, the essence controlling. It takes mere seconds to know when New York beckons, it's owning. ----------- I miss you. I miss the curve of your nose. Imperfect and whole. I miss the grass-stained dirt on your clothes from laying turf for a Rose and how your back hurts in the cold but you're full of mirth when it snows. I'm out of my depth here. Down and depressed, dear. I fear to forget the lines on your face when you frown and your neck sears. Each one divine and in place. The half-smile for me alone. This past while I can't see it, though. Even so; I miss your feel and hold and how no matter where we are your feet are cold. It's truly a sin how you wear beauty as skin. Moving this pen I ache for when you soothe me again. Yours Truly, it's Tim
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''if you're committed enough, you can make any story work. i once told a woman i was Kevin Costner, and it worked because i believed it.'' |
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#2 |
Banned
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very impressive rhyming
nice dare i say dope. yeah dope The half-smile for me alone. i like this phrase, concisely shows a bond here is my one critique This past while I can't see it, though. Even so; I miss your feel and hold and how no matter where we are your feet are cold. There is something about this structurally that makes it less smooth than the rest of the piece. Yes, even when re-read or slowed/sped. Upon further examination I'd suggest a comma or period after the word "hold", but that is just my personal opinion. Also not sure what the first sentence means "The past while i can't see it, though" Tone-wise I think you successfully portrayed what you were going for Can feel Tim's connection with (and longing for) Lynn *Edit: I don't like my suggestion about the comma anymore. That doesn't work- splits it too much. Was tricky line for text but I've got it now. iLove to rap this bruh, thanks Last edited by Pharaohs Army; 03-21-2016 at 02:08 PM. Reason: * |
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#3 |
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Yo, I was extremely impressed by this verse. The flow was buttery and the transition between rhymes was natural. The story flowed as well. There were some hiccups with a few rhyme choice options that were a little weird, but overall the readability of the lilting flow kinda overshadowed those flaws.
A couple spots that were hiccups for me - "broken and shit", not really the kinda stuff you'd find in a love letter. "I've mentioned you to a friend or two." - that's dope. "Honestly, I haven't really started to move in because I left my heart there with you, Lynn." - dope. "She's both tough and romantic. A hub for the frantic." - dope The closing paragraph was appropriately romantic and emotional. Nice details in there and it was very nice that the signoff fit the scheme as well. You also immersed your piece in the period, which is always hard to do. Overall, a very smooth and fun read.
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Topical C.R.E.A.M. |
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#4 |
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thanks a lot, guys
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''if you're committed enough, you can make any story work. i once told a woman i was Kevin Costner, and it worked because i believed it.'' |
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#5 |
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nearly 80 views and only 2 comments. any more? ill rtf
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''if you're committed enough, you can make any story work. i once told a woman i was Kevin Costner, and it worked because i believed it.'' |
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#6 |
heard it all before
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^^^^
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''if you're committed enough, you can make any story work. i once told a woman i was Kevin Costner, and it worked because i believed it.'' |
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#7 |
LARSLARSLARSLARSLARS
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Want me to go through what I didn't like, TJ?
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#8 | |||||
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I thought this piece was really dope. I don't find I can always find the flow throughout an entire piece easily when it's formatted in regular prose form, but i had no trouble here. Start to finish, it was an easy and enjoyable read.
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Thanks for the read, truly enjoyed it, and has inspired me to spend some time on my verse in the AOWL this week. |
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#9 |
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#10 |
LARSLARSLARSLARSLARS
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nah I just thought it's more helpful to you than a simple "this was dope" and copy/pasting a few lines I liked
we're past that
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#11 |
Certified Mother’s Boy
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#12 |
The Clown Prince
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its a great letter piece and the style is really what drives it..
maybe I should have went the same route the piece that I did I E the newspaper article, but this was pretty smooth to the end hopefully your return will help influence our friends.. the whole paragraph style has disappeared in most recent days I thought it brought a balance to the OM & reading this is great you put the reader in the antagonists shoes & it works I would break it down with some quoted inserts. but I feel it takes away from the whole *vibe* of the piece tbh the whole battle to topical is something nice to see... you better show this week right @Adonis you make the cut like scissors...lesbihonest
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