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#1 |
Razor-thin derision
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LGPA Season 1: Week 8
@Dr Dog Check ins: Tuesday (Midnight Eastern time) Poems Due: Friday (Midnight Eastern time) Votes due: Sunday (Midnight Eastern time) Topic: Choose your topic from the topic thread. Good luck. |
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#2 |
¯\_(ツ)_/¯
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#3 |
Razor-thin derision
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#4 | |
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5:13 A.M.
awakened to the very cusp of habit- flickered vision: window (sunless). liquid crystal touch screen (scheduled madness). and the simplest things in life: your love (is average). back still sore from whatever was in store for yesterday. you race your thoughts up against nothing. you know. stall for time. 5:23 A.M. the iPhone weather (or not, as my dad used to joke) said, expect some showers. or don't. nature, the guest with no qualms about just showing up unannounced 5:30 A.M. your warm embrace has left a red depression on her shoulder. you must've slept undisturbed until this umpteenth hour- --you kept your breath-- cause now she stirs as you disengage. your arm a seatbelt more than chains, but still the sense of stolen hoodies holds its footing (immaturity, I guess) --unfastened. unrestrained. dispassionate, unsustained-- untapped, yet, like storming rain. bringing out every scent from terra firma. other scents that drenched your pillow. the sense that it isn't 'her.' sentiments bred of staying still. --barren, earthen, uninterred. undeserved-- ... yes, that's your name she whispers. just the same as ever. darkness makes it hard to put names to faces. --I won't be recalled-- the grainy distance that night affords us lends to cover --you need some air-- 5:33 A.M. the gentle click of the porch slider might've well been a thunderclap. --has it rained yet?-- you spark a filterless, cough the wind out in dusty lungfuls. 5:38 A.M. I think I might have loved someone. It wasn't much, and I couldn't place it, now. I mean, "how much" might as well be the number of steps back you went after peering into that ravine. Portland... Erie? Like I said, I couldn't place it, cause it's not that kind of love. I can place the moments, like. Of the, "I can take these home"-ish type. Not stashed under pillows like comic books (then sighs of lust) It's not a visiting type of want. Not a live with me type of haunt. All the symmetry that can hide in touch, couldn't mimic this type of want. you seeing me and me seeing you that's these open eyes. .... 5:41 A.M. I remember she had this chalkboard wall. Notes. Doodles. Paper games. Favorite quotes. She'd hand out chalk like chocolates, only a few of us were regular writes. People are drawn to that. Different minds. This one time, I had this perfect quip (I always wrote four words at a time, with some tacky meaning, I was young) She loved it. I don't remember exactly, though I remember the trace of her collarbone as she bubbled it into a clouded thought. Chalkdust quickening in the skylight's holding glow, miniature cosmos swimming towards the sky, adrift in the bottled memory kept like college trophies for the fridge top. The smell of rain. Sandalwood and chamomile The lay of her hips, beside some textbook, and test took, long forgotten even then Shallow curls pooled on sheets. Wrapped up in each other search for warmth in winter jackets In your Jeep with the belts unlatched Aftermath of arguments a look of resent stretched past the first line you read and the regret as I followed that gaze Coming home to boxes and a cleaner slate than you'd ever start to learn from 5:58 A.M. A couple splashes on the railing wiped the dust right off. There was something, once, that reminded me of this very moment. I can't seem to recall. The yard swam with drafts of birch beer, --Cherry ChapStick, bound books-- and the aimless flare of matches- my alarm pierced the silence and I sprinted inside, --remember right. remember, write-- Quote:
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Last edited by Split Eight; 08-21-2015 at 10:47 AM. |
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#5 |
Razor-thin derision
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"Pomegranate Jews"
Patterns of life ride the great dromedary trail limply offering liberation to head space, wind song, and the "current sauce" of the "current epoch" Its present lease on the deep soul A neat insurance policy for the Yahweh-literate the Damien console-ables... "My people will walk up this nice, fostered corridor some day, when they can grok the starry-eyed moon through their sun visors and Kabbalah shoulder yokes" If you haven't heard a stereo system add heat to the Negev desert Join us for procession, or for nightly festivals The deserts quiet little comfort in the airlessness, a bronze hankerchief flattened sand like distilled marmalades in the bare light of the Shamash with memories of Ancient Kush Up the gnarled Potomac toward darker pastures We go Iranian stew made of pomegranate juice and lamb bubbling in a portable pot "We'll make no stops until we're at least until the half-point" Rabbi Ibragimov promises water for the camels and supplication for the legendary needles of the flesh No use in waiting Waiting for a messiah to arrive with buttered bread and molasses, and to lead straight up past the canyons and the Canaanites into sapphire clouds and holiday arches The rabbi notes the ambiguity in the dunes: "These markers stick out like sore thumbs or breadcrumbs but it won't malign to settle to oblivion march (so early in the race to God, anyways) because the human spirit isn't a terrain-dependent creature" Name your holy city Name your physics of embittered elements Let's just walk and see where it leads us ![]() Last edited by Vulgar; 08-21-2015 at 06:23 PM. |
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#6 |
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Split: You really went in this week... Anyways, I was finding a difficulty deciphering who was this "she". Was she a metaphor or was she really a person, the reason I ask is because she was a fulcrum where many of the scenes unraveled from. I'm going to assume she is a person. I also had the same thought as the other commentator, who stated your turn of phrase and interesting wording is very similar to Deadman, albeit he has more philosophical implications, while yours is based more on a personal and emotional context. The place and time seems to be placed not just in a linear time line, but more of a sequential loop where the character reminisces from the beginning, but from a standpoint of the future, but a future that lies only minutes ahead, a collage of memories with splashes of overarching themes of love and learning, as well as physical contact that seems to slip away ever so elusively. I will admit I liked some stanzas better than others, some were more simple than others, but not in a way that added the peacefulness found in simplicity, the juxtaposition sometimes was jarring, i.g. "darkness makes it hard". Some stanzas were very beautiful, the liquid touchscreen, miniature cosmos, the repetition of certain words that have some sense of the same vibration, earthen, barren, etc was a cool little mood effect.
Vulgar: You have a very curious nature and your style is completely your own. I read a lot and I can safely say that your style is its own mark. Sometimes you take us into this strange journeys with the most obscure references, at least to me. But, you nevertheless paint a picture and make a statement. Sometimes your writing leaves more of an impression than a message, here I received the former. So from this I interpreted it as a Jewish Rabbi leading a band of unorthodox believers into an early retirement, but perhaps into the dunes that represent a departure of what they deem paradise as. It might be as simple as a traveling band of religious affiliates who are essential spiritual nomadic vagabonds, who have no homes, kind of like the Desert Fathers. The last stanza depicts the subjectiveness of belief and its systematic basis we build around their justification, entire sciences, arts, and civilizations to try to make them into realistic depictions. Ha ha, hmm, I have more half-baked theories, but I'll leave it at that. My favorite line was: "Canaanites into sapphire clouds and holiday arches". I'm also trying to comprehend the meaning of pomegranates here, but oh well. This is a hard vote, very different styles that in a way are hard to compare to each other. But, I might edge it to Split here, not because he wrote more, because I didn't like everything he wrote, as I stated, while I liked a bit more Vulgar's because everything was a bit more coherent in terms of how everything meshed. Yet, Split came with something more tangible that I was in the mood for this afternoon. So, really it comes down to that, what I'm feeling is aligned with my day today, even though I did read Vulgar's more times simply because its shorter and more to the point, I still am resonating more with Split's approach this time, it had more of a filling or shifting effect on this enigmatic gorge, we call our mood. Vote: Split Last edited by UnbornBuddha; 08-23-2015 at 02:48 PM. |
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#7 |
LARSLARSLARSLARSLARS
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Dr. Dog: I love reading your efforts. Evening it's not in a style I'm used to, you have a real flare to your writing I admire. A turn of phrase, I guess? Similar to dead man in that you almost bombard the reader with these titbits of imagery or unique wording, making even the smallest details interesting. The iPhone weather report thing is a great example of many used, it gives it a modern life feel and makes it relevant to our age range which I don't see many writers do. I like that. The times I could have done without, but the tie in to the quote was done well also. Really solid prose here. I was impressed.
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#8 |
LARSLARSLARSLARSLARS
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Vulgar: Solid showing here also, I absolutely loved this line, it really cooked up a flavoursome mental image I could almost smell bubbling up:
Iranian stew made of pomegranate juice and lamb bubbling in a portable pot That was too dope! You brought this full circle with the end, too, and nailed the topic I also looked at - tried to twist - then ultimately decided against so I give you props for that. Real great match up this week... I've got Dr. Dog with the edge here.
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#9 |
Ad mini tator
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Vilgar
I feel like you really went in this week. You do habe your own style That is unmistakable tbh. Sometimes i feel like you get lost in your Own world and write like this. Unadulterated poetry. This was awesome Man i re read it a couple of times which is always good. Though tbh i feel Like you put to many obscure references i feel only u would know lol. Kind of Made it a it hard to decipher. Split. The progression was key here and i feel you nailed it. Not once did i feel like It got stale or boring. The story was dope and like i said your progress through The plot was dam near perfect. I absolutely loved the haunt, want lines. I thought Those lines added so much to the characters appeal. Dope stuff man great effort Overall I think i got split taking this with a piece that although long it was alot more reader Friendly while vulgar wrote outstanding i feel like split apealed to his audience a bit better Dope fucking battle. Split |
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