[big baby]

i think i like it more when you start writing with less of a focus on the stanzas you want to overlap within each other, and more when you start speaking to the audience like a story is being told in live action rather than something happened awhile ago, like, you're telling your side of the story but you still want to explain your feelings and why you thought the way you did and why you reacted and felt the way you did in those instants. And so forth.

You catching my drift? It's really cool, because then, there less pauses, and the pauses created are observably more organic rather than situational material that pauses intentionally.

Pause and go, stop and continue.