Good shit Howlz.
At points when you’re putting together multies in strings like that it comes over really smooth and effectively. The thing with multi strings is knowing when to tee off on them and also when to stop and switch it up so things don’t become predictable for the reader. If it starts becoming predictable what the next rhyme/end rhyme is going to be because they have the same long syllable sounds repeated again and again, people zone out. It’s a good technical show of skill, but using them wisely and knowing when it’s overkill and time to switch up and move on is also a skill in itself to keep the readers interest and will them to go on. Otherwise it can get robotic and formulaic sounding, which is the opposite of what you want when you’re trying to keep their attention regardless of the degree of technical ability you’re attempting to display.
If you can strike that balance between the two I think you’ll do well around here.
Keep that pen moving!
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