[big baby]

I'll say this once only. deadman is a man among mainly boys (aside from a few that I won't mention to boost their remedial egos) He showed it here, with not even one of his best works, but just a strung out piece, advocating all sorts of emotions and themes. His rhymes, while mainly praised (for the smoothness and brevity of read) was showcased here with a few buffer attempts along the way. I admit when I first read this - I didnt' really think you had many tools, but on a second read a few days later I realized it was better than I first thought it was. Second time around, reading NYC's verse I realized how ordinary it was, also extremely, insanely corny. Can you create a scope out of anything besides ninja samuraias? or is that the only median in which you can create scenery that entails whatever the topical is? I have to say, for someone who thinks so highly of themselves (clearly a show, because we both know you got shut out here, and aren't half as good as you think you are) although a valiant attempt by you. Did you not think for a second, "Hey, maybe my samurai niche is getting a little tired out of cliche" You didn't think for one second to fight fire with fire, with what deadman usually/always comes with? You didn't think you could outduel deadman, so you carried out this long ok storyline, decently written ninja pop art in a championship match? Idk. It seemed tired and repetitive for me. Ninja star, stars, feelings, death. Wow, what a difference from everything else you write! On the contrary, you could say that deadman writes a lot of the same stuff, but atleast he fleshes out a type of writing that can be formatted differently each time. You have ninja stars every time and the same ending with a feeling of appraisal through shuriken throwing. This was very tired and contrived. Maybe you'll do better next time and write a decent piece that isnt about samurais, for once.

vote/ DEADMAN

by a long fucka shot.

thanks.